Sammy Flex, the renowned Ghanaian entertainment broadcaster and artiste manager, recently revealed his openness to interviewing Reggae/Dancehall sensation Stonebwoy if the artiste is willing to participate. In a conversation with Kwame Dadzie on Showbiz A-Z, the founder of Sammy Flex TV and manager for Shatta Wale, discussed his history with Stonebwoy and addressed any potential reservations the artiste might have.
Sammy Flex reminisced about his last encounter with Stonebwoy during their time at Zylofon FM, where he conducted an interview with the ‘Therapy’ hitmaker. Despite any past differences, Sammy Flex clarified that he currently harbors no issues with Stonebwoy. He acknowledged the competitive nature among top artistes in Ghana and recognized that his role as Shatta Wale’s manager might create some reservations for Stonebwoy.
However, Sammy Flex emphasized that he maintains his journalistic integrity and continues to interview artistes. If Stonebwoy is willing to participate, he expressed his openness to conducting an interview.
Reflecting on the dynamics between top artistes in Ghana, Sammy Flex acknowledged the stiff competition and the potential implications of his managerial role. He highlighted the importance of maintaining a balance between his roles as an artiste manager and a journalist.
Despite his current position as an artiste manager, Sammy Flex assured that he knows how to strike a balance between his managerial duties and his journalism profession. With an extensive background in entertainment media, including stints at various TV stations and his online media platform, Sammy Flex TV, he remains committed to providing insightful interviews and engaging content to his audience.
Sammy Flex’s willingness to engage with Stonebwoy in an interview demonstrates his dedication to fostering open dialogue and promoting transparency within the Ghanaian entertainment industry. As he continues to navigate his multifaceted roles, his commitment to professionalism and journalistic integrity remains unwavering.
